CULTURAL STUDIES


課程目的
課程要求
課程進度
 
    Spring 1992 

    SEMINAR IN CULTURAL STUDIES

    授課教師:朱元鴻 (Yuan-horng Chu) 
    授課班級:A Graduate Seminar 

      課程目的: 
    During the past decade, cultural studies has arisen ad a new supradisciplinary approach to the study of culture and society. (Post-)Marxism, semiotics, feminism, and postmodernism converge on issues such as television, film, and popular music, crossing and blurring the lines of academic division such ad communication, literary criticism, philosophy, and social sciences. Cultural studies not only subverts the disciplinary fragmentation but also contributes inquiry and criticism of the contemporary forms of culture and society. The purpose of this graduate seminar is to initiate students to these perspectives and methods.
      課程要求:

    There will be nine class meetings through the spring semester. Students will also be required to participate in two international symposiums: "Television Studies: The Cultural and Critical View" (May 13-14, 1992) and "Trajectories: Towards a New Internationalist Cultural Studies" (July 5-18, 1992) - information attached below. 

    Each student will make at least two class presentations and will write a research paper expanding on one of the topics covered in class. A research proposal (about 1000 words) will be due by mid-June. The term paper will be due by August 31, 1992. Grade will be 50% for final paper and 50% for presentation and participation.

      課程進度:

    2/25 Course Introduction

    3/24
    I) Time Budget ResearchSzalai, Alexander. 1972. The Use of Time. The Hague, Mouton. pp.1-12, 31-111, 197-227.
    II) Correspondence AnalysisReading to be announced. 

    4/7 General Orientations to Cultural Studies
    Hall, Stuart. 1981. "Cultural Studies: Two Paradigms," in Tony Bennett et al. (ed.) Culture, Ideology and Social Process. pp.19-37.
    -------. 1986. "Popular Culture and the State," in Tony Bennett, Colin Mercer & Janet Woollacott (ed.) Popular Culture and Social Relations. Philadelphia: Open University Press. pp.22-49.
    -------. 1990. "The Emergence of Cultural Studies and the Crisis of the Humanities," October, no.53 (1990) : 11-23.
    Bennett, Tony. 1990. Outside Literature. London: Routledge. pp.1-37.
    Bennett, Tony. 1986. "Popular Culture and the 'Turn to Gramsci'," "The Politics of the 'Popular' and Popular Culture," in Tony Bennett, Colin Mercer & Janet Woollacott (ed.) Popular Culture and Social Relations. Philadelphia: Open University Press. pp.xi-21.
    Kellner, Douglas. (Forthcoming). "Toward a multiperspectival Cultural Studies."
    Gitlin, Todd. 1989. "Postmodernism: Roots and Politics," in Ian Angus and Sut Jhally (ed.) Cultural Politics in Contemporary America. London: Routledge. pp.347-360. 

    4/21 TV Politics
    Gitlin, Todd. 1980. The Whole World is Watching. Berkeley: University of California Press. pp.1-18, 293-305.
    Kellner, Douglas. 1990. Television and the Crisis of Democracy. Boulder, Colorado: Westview Press. pp.1-24, 179-224.
    Newcomb, Horace M. 1991. "The Creation of Television Drama," in K.B. Jensen & N.W. Jankowski (ed.) A Handbook of Qualitative Methodologies for Mass Communication Research. London: Routledge. pp.93-107.
    Morley, David. 1989. "Changing Paradigms in Audience Studies," in Ellen Seiter et al. (ed.) Remote Control: Television, Audiences & Cultural Power. London: Routledge. 

    5/5 TV at Home
    Morley, D. & silverstone, R. 1991. "Communication and Context: Ethnographic Perspectives on the Media Audience," in A Handbook of Qualitative Methodologies for Mass Communication Research. pp.149-162.
    Morley, David. 1986. Family Television: Cultural Power and Domestic Leisure. London: Routledge. 

    5/19 TV Audience
    Ang, Ien. 1991. Desperately Seeking the Audience. London: Routledge. 

    6/2 Film, Pop, MTV
    Kellner, Douglas. (Forthcoming). "Film, Politics, and Ideology: Toward a Multiperspectival Film Theory."
    Kellner, Douglas and Michael Ryan. 1988. Camera Politica: The Politics and Ideology of Contemporary Hollywood Film. Bloomington: Indiana University Press. pp.1-16, 136-167.
    Grossberg, Lawrence. 1988. "Putting the Pop Back into Postmodernism," in Andrew Ross (ed.) Universal Abandon? Minneapolis: University of Minnesota Press. pp.167-190.
    -------. 1989. "MTV: Swinging on the (Postmodern) Star," in Ian Angus and Sut Jhally (ed.) Cultural Politics in Contemporary America. London: Routledge. pp.254-268. 

    6/16 Images
    Hedbige, Dick. 1988. Hiding in the Light: On Images and Things. London: Routledge. 

    6/30 The Pirate's Fiance, Rome 101, Crocodile Dundee
    Morris, Meaghan. 1988. The Pirate's Fiance: Feminism, Reading, Postmodernism. pp.1-16, 51-69, 187-269.
     

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