Aviram,
Amittai F. “Postmodern
Fay Dionysus: Dr. Frank N. Furter.”Journal
of Popular Culture. 183-90.
Awry,
Looking. “The
Obscene Object of Post-modernity.”
Fantasy, Bureaucracy, Democracy. 141-83.
Britton,
Andrew. “The
Myth of Postmodernism: The Bourgeois Intelligentsia in the Age of Reagan.”CineAction!
No13/14 (1988): 3-18.
Byers,
Thomas B. “Terminating
the Postmodrn: Masculinity and pomophobia.”
5-33.
Cheah,
Pheng. “Mattering.”Diacritics
26 no.1 (1996): 108-39.
Dean,
Carolyn J. “Introduction.”Diacritics
26 no.2 (1996): 3-5.
Dragon,
Jean. “The
Work of Alterity: Bataille and Lacan.”Diacritics
26.2 (1996): 31-48.
Guerlac,
Suzanne. “Bataille
in Theory: Afterimages(Lascaux).”Diacritics
26 no.2 (1996): 6-17.
Haraway,
Donna. “A
Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the
1980’s.”Feminism/
Postmodernism. Ed. Linda J. Nicholson. New York: Routledge, 1990:190-233.
Harrison,
Marion. “Mermaids:
Singing off Key?”CineAction!
No.16 (1989): 25-30.
Hayes,
Jarrod. “The
Seduction of Alexander Behind the postmodern Door: Ingmar Bergman and Baudrillard’s
De la seduction.”Film/Lit
Quarterly 25.1 (1997): 40-48.
Jameson,
Fredric “On
Magic Realism in Film.”
129-52.
Landy,
Marcia, and Lucy Fischer. “Dead
Again or A-Live Again: Postmodern or Postmortem?”Cinema
Journal 33.4(1994): 3-23.
Lash,
Scott. “Discourse
or Figure? Postmodernism as a ‘Regime
of Signification.”Theory,
Culture & Society. (SAGE, London, Newbury park, Beverly Jillsa
and New Delhi), Vol.5 (1988), 311-36.
Martin,
Joseph. “Postmodernist
Play in Karel Reisz’s
The French Lieutenant’s
Woman.”151-59.
McGuinness,
Michael. “The
Notorious Alice in Hitchcockland.”Spectator
73-79.
Nygren,
Scott. “Reconsidering
Modernism: Japanese Film and the Postmodern Context.”
6-15.
Owens,
Nancy. ”
Image and Object: Hegel, Madonna, Metropolis.”Spectator.
59-63.
Polan,
Dana B. “’Above
all else to make you see’:
Cinema and the ideology of Spectacle.”
129-144.
Ramsay,
Christine. “Social
Surfaces and Psychic Depths in David Wellington’s
I Love a Man in Uniform.”Canadia
Journal of Film Studies 4.1 (1995): 3-26.
Schwoch,
James. “Cold
War, Hegemony, Postmodernism: American Television and the World-System,
1945-1992.”Ouar.
Rev. of Film & Video, Vol.14(3) (1993): 9-24.
Shapiro,
Michael J. “Political
Economy and Mimetic Desire: A Postmodernist Reading of ‘Babette’s
Feast’.”?of
European Ideas 13.3 (1991): 239-51.
Shattuc,
Jane M. “Postmodern
Misogyny in Blue Velvet.”
Genders 13(1992): 73-89.
Sobchack,
Vivian. “Postmodern
Modes of Ethnicity.”Unspeakable
Images: Ethnicity and the American Cinema. Ed. Lester D. Friedman.
Urbana: Illinois Up, 1991, 329–52.
Straayer,
Chris. “The
She-man: Postmodern Bi-sexed Performance in Film and Video.”
Screen 31:3 (1990): 262-80.
Taylor,
Gordon O. “Preface.”Genre
21(1988): 389-92.
Thompson,
Lynn M. “Giving
Birth to the Artist Within: Barton fink’s
Nod to Stephen Dedalus.”Spectator
53-57.
Turim,
Maureen. “Cinemas
of Modernity and Post-modernity.”
Wall,
Karen L. “Deja
vu/jamais vu”-The
Adjuster and the Hunt for the Image.”Canadia
Journal of Film Studies 2.2-3 (1993): 129-44.
Wegener,
Amy. “Imagining
difference at the interface.”
Jump Cut 41(1997): 16-19.
Weinberger,
Michael. “A
Post modern analysis of the film Natural Born Killer.”http://www.sas.upenn.edu/~mbweinbe.html
Wills,
David and Alec McHoul. “Zoo-logics:
Guestions of Analysis in a Film by Peter Greenaway.”Texual
Practice. 8-24.
Wyatt,
Justin, and R.L. Rutsky. “High
Concept: Abstracting the postmodern.”Weeks
9 1/2 (1985): 42-44.
古斯特，
〈殺氣逼人的《閃靈殺手》-- 暴力的電影、電影的暴力〉，
Imagekeeper Monthly，72-77。
廖金鳳，
〈瘋狂失控的世界--瘋狂失控的《閃靈殺手》〉， Imagekeeper
Monthly，66-68。